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Pub download macbook pro. The Open Network Install Environment (ONIE), initiative contributed by Cumulus Networks, is an open source initiative that defines an open “install environment” for bare metal network switches. ONIE enables a bare metal network switch ecosystem where end users have a choice among different network operating systems.

The Onion brings you all of the latest news, stories, photos, videos and more from America's finest news source. We purchase local sustainable products and prepare field to fork as much as possible. We cook nearly everything from scratch and fresh daily. We use only Alaskan deep. Neck, Back or other body part pains or injuries. Finger and Hand Injuries. Knee and Leg Injuries. Oni (鬼, Oni) are a kind of yōkai from Japanese folklore, variously translated as demons, devils, ogres or trolls. They are popular characters in Japanese art, literature and theatre. Oni are one the greatest icons of Japanese folklore. Depictions of oni vary widely but usually portray them as hideous, gigantic ogre-like creatures with sharp claws, wild hair, and two long horns growing from.

ONIE is an Open Compute Project open source initiative contributed by Cumulus Networks that defines an open “install environment” for bare metal network switches

The Open Network Install Environment (ONIE) is an open source initiative that defines an open “install environment” for bare metal network switches. ONIE enables a bare metal network switch ecosystem where end users have a choice among different network operating systems.

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ONIE defines an open source “install environment” that runs on this management subsystem utilizing facilities in a Linux/BusyBox environment. This environment allows end-users and channel partners to install the target network OS as part of data center provisioning, in the fashion that servers are provisioned.

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Home » 2. Kami (Deities) » Kami in Folk Religion

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Oni
A misshapen supernatural demon or devil visiting this world from the other world, bringing with it disaster or blessing. Due to their fearful spiritual power, oni were considered ambivalent beings possessing the power of both good and evil, and were thus the objects of both worship and avoidance. While the character for oni was read in China as gui and referred to the soul of a deceased person, it was read in Japan variously as oni (demon), mono (an indwelling spirit), or kami.
Based on the salient characteristics of beliefs about oni, the concept of oni can be classified into three main types: (1) wicked spirits or evil kami, (2) oni as foreigners or strangers, and (3) oni as good kami. The first type bring disaster, death, and plague, and initially were considered invisible beings, but later came to have visible forms. The Nihongi notes the practice of using peaches to ward off oni, a reflection of Chinese beliefs that peaches possessed the power to control noxious spirits and demons. Other expressions found include ashikimono ('evil spirits') and matsurowanukami ('unruly kami'), terms which are believed to refer to evil kami or the tutelaries of people who opposed kingly authority in ancient times.
In contrast, the Nihon ryōiki relate incidents of demons (mono) which caused insanity, and the 'evil spirit of a slave' (ashiki yatsu no reiki) which caused death. In short, such expressions referred to departed spirits which had become oni and brought curses upon those still living. Such oni were believed to be the spirits of persons who carried resentments or malice during their lifetime; the spirits or ghosts of malicious or jealous women were thought to be particularly capable of becoming the female demons called hannya. Other demons included denziens of hell, the bull-headed gozu and the horse-headed mezu.
According to Zeami's Fushikaden, oni appearing in Noh drama are either vengeful spirits (onryō) who possess human beings, or demons of hell. As the visible forms of oni were represented as misshapen and weird beings, popular iconography of oni was influenced by graphic portrayals of hell demons and 'hungry ghosts,' as well as by the four-eyed Chinese zhuīnuó (Jp. tsuina) masks worn by the demon exorcists called fangxiàng (Jp. hōsōshi).
Such rites of 'demon exorcism' or tsuina were incorporated into the Buddhist rites of Shushōe and Shunie (Omizutori) held early in the New Year; these rites featured exorcisms of demons using the power of Buddhist tutelaries such as Bishamon and heavenly bodhisattvas (hiten). These rites became popular observances on the last day of winter (setsubun), and resulted in the formation of stereotypical demon images such as Shutendōji.
A second type of oni is represented by marginalized persons, including foreigners, rebellious indigenous peoples, people drifting ashore in Japan, itinerant performers, religious thaumaturges, rebels, pirates, and mountain dwellers. According to the Nihongi, people thought to have been members of a northern people and called mishihase (or shukushin) were feared as 'demons' (oni), and engaged in trade with the Yamato army through a form of Chinese 'wordless exchange' which was called kishi (lit., 'demon market').
The Kokoncho monjū (ca. 1254) relates a tale of naked imigrants who came ashore at the island of Okushima in the Izu area, describing them as 'demons' with wild hair, round-eyes and tall, dark red bodies. Practitioners of Onmyōdō (Chinese Yin-Yang divination) were likewise viewed as 'demon-like' beings since they were believed to control familiar spirits (shikigami) and cast spells.
A third type of demon can be seen in present-day observances of the aforementioned rites of Shushōue and Shunie, and popular rites around the New Year. For example, the 'Flower Festival' (Hanamatsuri) held in Shidara, Aichi Prefecture features dancers called 'Sakaki-oni' which invoke blessings by stamping the ground and chasing away evil spirits. Another example would be the visiting kami called namahage in Akita, represented by costumed performers wearing demon masks.

The Oni at the Tsuina shiki ceremony at Nagata Jinja. This Oni fulfills the role of messenger of the kami and wards off and prevents calamities in the kami's stead.
Hyōgo Prefecture, 2006
©Ōsawa Kōji